The Startup San Diego team and I launched the new San Diego Startup Week website yesterday. We thought we'd covered everything. We had tested user flows, we'd checked all of our links, but we could not have anticipated one thing: how much engagement we got.
For an hour we had unresponsive voting features because our automation service was at max capacity (and we'd already beefed it up).
However, this paled in comparison to the fact that we had record breaking numbers of users, ticket sales, etc. Small bump int he grander narrative.
The point is this:
you can plan for everything in the world for your brand, a new website, etc. but you will not burst into flames from having small bumps in the road.
You found an identity to steal. A theme that you can dive deep into and extract a visual story from. Now, your goal is to use these elements coherently. So much so, that even if your company's logo is absent from a piece of collateral, an ad, or website, it should still be recognized as something from you. Note, every design deliverable is different and the medium you are building within can have a major impact on how you will apply the visual identity. That being said, these are the top things to be aware of for cohesion:
I cannot overstate the value of a unified color palette, especially if you've selected on unique to your market. Keeping your colors intact and uniform makes your company appear more organized and it helps establish a subconscious connection between you and the selected color. When cigarette advertising became prohibited, Marlboro paid bars to paint entire walls of their spaces Marlboro red. Their sales increased as a result. That's just from establishing a brand color. Or think about Tiffany Blue and the associations of prestige that come along with it. Color has major impact.
Of all the visual elements startups get wrong, this is most common. Type is both science and art, hell, some people dedicate their entire lives to the study and creation of beautiful letterforms. Point being, it ain't easy. But there are some overarching principles one should consider. Firstly, limit yourself. Pick two typefaces max and stick to them. Secondly, choose typefaces that are legible and timeless. No curly q's or any of that Microsoft WordArt shit that sends you back to 2nd grade. If you follow those two steps, your visual prowess will be 50% ahead of anyone not doing so.
Layout is the arrangement of elements on a design deliverable. Here is what you need to decide: does your brand reflect order and cleanliness or chaos and creativity? Both are good, but you need to pick one side. By establishing a game plan for how you will layout design elements, you can create templates for websites, presentations, ads, etc and they will all bear the same amount of order. If you bounce back and forth between hyper-create and hyper-structured you lose cohesion.
Subsequent Design Elements
This is where your stolen identity comes into play the most. Brand identities need spice, transcendent elements that make them unique. Let's say you decided to steal your visual identity from a Brooklyn pizza parlor. You know, a real-deal shop with red and white table cloths, twine-wrapped wine bottles, boisterous families talking across the table, Italian flags everywhere, and old-time, sepia-toned photos of the city. That is a treasure trove. You've got patterns (tablecloth), illustrations (of cool stuff like twine-wrapped wine bottles), voice and tone (boisterous families), photo styling (sepia-tone photos) all from one unified source. The same would apply to motion graphics (maybe a pizza being tossed in the air), icons, or any other element.
If you refuse to use the clichè icons, illustrations, and photos present within your industry and replace them with something out of context, you can make something impactful. You can tell a better story. It's all in your stolen identity. Unlock that treasure trove and create something awesome!
“If I had an hour to solve a problem I'd spend 55 minutes thinking about the problem and five minutes thinking about solutions.” -Einstein
What does this mean?
It means that to create an effective solution, you have to have a deep understanding of the problem. Otherwise you fall back on to predictable solutions that don't always work. It's similar to the hammer and nail concept. If you're a hammer, you look around for nails. But if there are no nails in sight, you're SOL.
In design and branding, an hour of solid planning saves countless hours of revision and allows for projects to run smooth.
Point being, take the time to think. Plan. Be strategic. Good solutions come easy to those with skill, but if the wrong skill is put into play then you're in trouble.